陵水谣

简介：Synopsis　　Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her.　　Notes　　A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea.　　A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation. Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles.　　Afterword　　- Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.

简介：这是斯坦利·库布里克的第一部故事片。剧本出自他的高中同学、诗人Howard Sackler之手，拍摄资金也是库布里克自己筹措，大部分是向父亲、叔叔和朋友们借的。这部作品和库布里克以后的影片一样充满了超现实主义象征性，因此只有一家艺术片商愿意发行和放映，而库布里克认为此片只是一部实习作品，他只答应私下放映，并多次想将拷贝销毁。尽管如此，本片还是赢得了一些评论家的好评，尤其是在摄影方面。

简介：故事的主角是一只可爱的猎犬，可是性格温和的小狗并不会打猎，因此遭到了主人的虐待，终于，不堪忍受的小狗决定离家出走，幸运的是，它遇见了名为马蒂（布莱克·赫伦 Blake Heron 饰）的男孩，马蒂非常喜欢聪明可爱的小狗，给它取名夏洛伊。　　马蒂找到了夏洛伊的旧主，希望能够收养这只小狗，然而这个贪婪残暴的男人竟然向一个小男孩开除了数十元美金的天价，无奈的马蒂只得将夏洛伊留在了原地，自己离开了。然而，马蒂并没有放弃领养夏洛伊的念头，为了夏洛伊能够早日脱离苦海，他每天拼了命的打零工赚钱，一切可以来钱的活计他都愿意去干。

简介：　　1942年初，日军对晋西北根据地疯狂扫荡。为打击日军气焰，李云龙率独立团攻打平安县城。各路日军纷纷赶来救援，我军各部节节阻击。李正虎奉命率骑兵连协助孔捷防守雪狼峪，苦战击溃来敌，却意外发现一股日军精锐行踪诡谲，试图通过地形险要的鬼哭谷，偷袭李云龙团部。李正虎与孔捷等人紧急赶往鬼哭谷，浴血奋战，救下正遭遇日军猛攻的晋绥军楚云飞驻军，奋勇夺回鬼哭谷。日军大部随即赶到，发动猛攻，李正虎等人拿出亮剑精神，依托鬼哭谷独特地形，与日军周旋苦战，付出巨大牺牲，最终将日军顽强阻击在鬼哭谷外，帮助李云龙主攻部队顺利攻下平安县城，予敌重创……

简介：　　一段君与臣的无间风云，一场秋雨渐浓的相遇。深宫谍变，英雄联盟，相望相杀，相爱却难。

简介：

 在通往村东头的一条田间小路上，刚从县城回来的侯家二小子侯保见把自行车骑得飞快。快到村口时，保见顺便看了一眼在瓜地看瓜的木仓大叔后，急不可待地来到春娥家，拥吻着春娥就往里屋走。自从正月十五看花灯时和春娥好上后，在县城帮老大看饭馆的保见就像丢了魂似地隔三差五就往家里跑。 春娥是个命苦的女人。结婚不到二年，丈夫就死了，儿子马驹都快五岁还不会说话。丈夫死后，漂亮贤惠的春娥里里外外一把手，既操持着家务，还把老公公木仓爹侍侯得就如同自己的亲爹一样。木仓大叔也是一个通情达里的人。儿子死后，木仓大叔就搬出门，带着不会说话的小孙子马驹，一心扑在村头的瓜地里。其实，木仓大叔这样做也有他另一层心思，那就是木仓大叔理解作为一个女人的苦。 毕竟纸里包不住火。保见来的次数多了，从家里跑到瓜地的看家狗“利来”的异常引起了木仓大叔的警觉。终于，春娥和保见的事被木仓大叔发现。这种事要放在别人肯定不会轻饶，但木仓大叔理解儿媳妇春娥的苦。既然生米煮成了熟饭，春娥和保见的事在村主任的撮合和主持下，一个简单的婚礼算是成全了一对有情人的姻缘。 春娥嫁到老侯家后，因为保见害怕他爹的缘故，再加上春娥又是一个寡妇，所以在侯家过着忍气吞声的日子。但这一切并不防碍春娥和保见的恩爱。平常的日子里，春娥担负起一个家庭主妇的重担，在保见爹挑剔的眼光下，百般小心地尽着一个为人儿媳妇的责任。除此之外，春娥还得隔三差五地回木仓大爹家，给木仓爹浆洗衣服、收拾家务、做一顿热饭。 春娥的苦，春娥自己不说木仓爹也看在眼里。春娥毕竟不是自己的亲闺女，有些话不好明说，保见又因为害怕他爹不敢说出来。就这样，春娥常常为了家庭的和睦忍气以泪洗面。时间长了，心疼媳妇的保见最终与他爹闹翻。保见爹因私放高利贷被警察询问后，春娥把儿子马驹从瓜地里接回了家。可等春娥再次回瓜地给木仓爹送饭时，木仓爹在劳累过度中沉然睡去，就再也没有醒来。 春娥和保见就着瓜地里的一块空地，披麻戴孝地下葬了木仓爹。堆起的新坟前，春娥让儿子马驹跪下给爷爷磕头的那一刻，瓜地里一颗熟透的西瓜“噶”地一声裂成两半，西瓜裂开处，瓜瓤鲜红、瓜子如墨。

简介：　　小沼真实（门胁麦 饰）曾经也是一个活泼开朗的女孩，但现如今，她成为大门不出二门不迈的家里蹲已经五年之久了。在这五年里，足不出户的真实一直都靠着临摹喜欢的插画作品来排解压力逃避现实。
　　在父亲的介绍之下，真实终于鼓起勇气进入了一家游戏公司上班。然而，毫无社会经验的真实在工作中漏洞百出，做出来的游戏全是漏洞，本以为要被骂的她，却意外的得到了同事矢部辽太郎（三浦贵大 饰）的认可。辽太郎认为真实拥有绘画的天赋，在他的建议和鼓励之下，真实成为了游戏原画师，并且开始尝试不再模仿，去创造属于自己的独一无二的角色。

简介：故事以参加古巴革命英雄切·格瓦拉的游击部队，并被切·格瓦拉命名为“埃内斯托”的日本血统玻利维亚人埃内斯托·弗莱迪的一生故事。作为日系玻利维亚人而出生于1941年10月的埃内斯托·前村·弗莱迪出生于

简介：　　本片是《罪途》三部曲的第一部，后两部是《罪途2之救赎代价》与《罪途3之正义规则》，三集共同讲述了一个故事：2005年，一列绿皮火车因暴雨引发泥石流而被停在半路。一节车厢中的八名乘客，全部陷入了不明原因的昏迷当中。调查结果则更让人心惊，其中一位乘客已经成为了冰冷的尸体……

简介：懵妹乃巨富爵士之独女，承继大笔遗产，下嫁大滚友，风流成性，情妇无数。扮醒靓妹－懵妹之表妹，偶然机会，揭发楚原劣性，遂教懵妹骗走老公，出嚟滚靓仔，一于报复送绿帽老公戴。谁知！滚着……新扎师兄、龟公、

简介：

　　Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.
　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.
　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

简介：

　　杰克森曾是一名警察，后来成为亚特兰大私家侦探，他受雇寻找失踪的R&B明星贾哈里。他的调查发现，贾哈里的失踪与一个更大的阴谋有关，这迫使他开始质疑身边的人以及他自己的过去。