鬼畜大宴会

　　Anna, in her late twenties, feels like her life is slipping through her fingers. A ticket to a prestigious music school in Paris might be the perfect last chance to pursue her dream career in piano. Success no longer seems so elusive unless her manipulative, self-destructive alcoholic father stands in her way.

　　Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop?
　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.
　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.
　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.
　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.

　　《梅艳芳菲》是梅艳芳的粉丝为了纪念这位百变天后而花了八年的时间和心血拍摄的纪念电影。影片从粉丝们在垃圾柜里捡回被当做垃圾扔掉的梅艳芳的遗物和一众粉丝写给梅姐的信开始，从而带出这位偶像生前对人的真挚情义……

　　这部喜剧片融合推理与浪漫元素，带领观众登上豪华巨型游轮“地中海荣耀号”。
　　认真尽责的邮轮管家冲方优（吉泽亮 饰）邂逅一名谜样女子盘若千弦（宫崎葵 饰），她会登上这艘船，背后动机感觉不只观光出游这么简单。当船上惊传命案，且看两人如何联手查明真相。

　　在路易斯安那州一场危险的飓风中，一场大胆的越狱行动被一群饥饿的大鳄鱼打断。