1950 年 6 月 25 日，105 坦克师在接到当时朝鲜人民军最高司令官金日成的命令后，用三天时间占领了首尔，以对抗「美军和韩国军队的先发攻击」。
在战争开始时，内向的年轻士兵弗兰兹发现了一只受伤的狐狸幼崽，小狐狸在树林中孤苦无依的样子，让他仿佛看见了从小被父亲卖去农场主家的自己。他像照顾自己的孩子一样照顾它，并带到了被占领的法国。在养育狐狸的过程中，弗兰兹一直逃避的过去慢慢追上了他，是选择继续逃避这些伤心的回忆，还是直面它，弗兰兹陷入了深深的纠结。
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
The film is about an isolated woman who must confront her past when a fellow former cult member reaches out with news that their leader has been released from prison early.
上海法租界臭名昭著的燕子窠烟馆老板邱连魁在其寓所被害。巡捕房对盗窃嫌犯展开抓捕时，参与盗窃的嫌犯却连环被杀. 而种种证据表明，凶手在杀人前对死者进行了拷问，他究竟想从死者身上问出什么秘密？
